Declarations of War

A collection of thirteen stories that offer an inside view of fighting men poised at the edge of death.

Len Deighton's only collection of shorter fiction, this dazzling array of stories spans twenty-three centuries of warfare.

From Hannibal's march on Rome - when strange, moving objects terrorise the troops of one of the toughest and most skilful armies in history - to the efforts of a belittled Civil War general to get his men to face the Confederate army; to the dawn skies above an artillery-blasted French battle-line where a dogfight unfolds, to Vietnam; where two lost American soldiers stumble across an abandoned military airfield.

Each story in Declarations of War explores the effects of war upon man's character, how it pushes him to act in a dehumanized, machine-like way, often leading to extraordinary deeds, both good and ill. It portrays human conflict through a series of devastating experiences and shows how great deeds are often but the smallest thread in the large fabric of war.

About Len Deighton

Len Deighton was born in 1929 in London. He did his national service in the RAF, went to the Royal College of Art and designed many book jackets, including the original UK edition of Jack Kerouac's On the Road. The enormous success of his first spy novel, The IPCRESS File (1962), was repeated in a remarkable sequence of books over the following decades. These varied from historical fiction (Bomber, perhaps his greatest novel) to dystopian alternative fiction (SS-GB) and a number of brilliant non-fiction books on the Second World War (Fighter, Blitzkrieg and Blood, Tears and Folly).

His spy novels chart the twists and turns of Britain and the Cold War in ways which now give them a unique flavour. They preserve a world in which Europe contains many dictatorships, in which the personal can be ruined by the ideological and where the horrors of the Second World War are buried under only a very thin layer of soil. Deighton's fascination with technology, his sense of humour and his brilliant evocation of time and place make him one of the key British espionage writers, alongside John Buchan, Eric Ambler, Ian Fleming and John Le Carré.
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