Every Valley

The Story of Handel’s Messiah

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London - Dublin, 1741-42.
An actress mired in scandal plans her escape from an abusive husband.
A penniless sea captain sets out to rescue the city’s abandoned infants.
An African Muslim and former captive in the colonies becomes a celebrity.
A grieving political dissident seeks release from his torment.
And a great composer to kings – George Frideric Handel – now ill and straining to keep an audience’s attention, faces a decision that will secure his place in history.

Evoking a pivotal moment at the birth of modernity, a time of fear, conspiracy and uprising, and featuring some of the most unusual and brilliant personalities of the eighteenth century, Every Valley is a cinematic and moving drama of hope in the darkness and the entangled lives that shaped a masterpiece.

Much closer to the teeming panorama of a novel like War and Peace than the narrow focus of most books about music history . . . It takes a rare blend of scholarship, ingenuity and empathy to weave together the stories of the mostly distressed souls who, one way or another, were connected with Messiah’s creation . . . King expertly juggles these individuals’ stories and a lot more besides . . . riveting

Richard Morrison, The Times, *Book of the Week*

This book reveals . . . fascinating historical truths . . . By following the links between individuals who are connected by varying degrees of separation with the work’s original creation and promotion, the author discovers that this one musical piece can stimulate joined-up insights into almost every significant aspect of its period: cultural, political, social, economic . . . His technique is often cinematic, focusing in and then panning out . . . In every case the macro picture is made vivid through the micro stories of individuals. Anyone who has ever written a historical narrative will know how hard it must have been for King to keep all the strands so expertly in play. The result is a truly informative, imaginative and engaging work

Financial Times

Charles King’s fascinating history of Handel’s most famous work shows it in a whole new light . . . his book humanises the work’s exalted creators and demonstrates that the Messiah is not a pompous manifesto of faith but a troubled, often desperate quest for consolation . . . King . . . does a fine job of implicating Handel in the conflicts and contradictions of an unsettled society

Peter Conrad, Observer

An adroitly threaded account of Handel’s life and achievements [that] opens out to a colourful gallery of 18th-century personalities who played a part in making Messiah what it was . . . lively . . . readable, well researched and rich with detail . . . an engaging narrative . . . full of understanding, setting a good example for any who would write about music . . . thoughtful and wide-ranging

Gramophone

About Charles King

Charles King is Professor of International Affairs at Georgetown University, Washington DC. His numerous books include the New York Times bestseller The Reinvention of Humanity (published in the US as Gods of the Upper Air), which was winner of The Francis Parkman Prize and shortlisted for the British Academy Prize and the National Book Critics Circle Award; Midnight at the Pera Palace: The Birth of Modern Istanbul; and Odessa: Genius and Death in a City of Dreams, which was winner of a National Jewish Book Award. His writing has appeared in the TLS, New York Times, Washington Post, Foreign Affairs, The New Republic and other publications.

Details

Imprint: Bodley Head
Published: 07/11/2024
ISBN: 9781847928450
Length: 352 pages
Dimensions: 242mm x 34mm x 161mm
Weight: 605g
Price: £25.00

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Every Valley

The Story of Handel’s Messiah

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